CopyCamp
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Konrad Gliściński – Wszystkie prawa zastrzeżone
Książka:
Konrad Gliściński – Wszystkie prawa zastrzeżone
Kup na PrawoKultury.pl

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CopyCamp 2018: programme

Day 1 (October 5th, 2018)

11:00-13:00 Parallel workshops

  • Protection of design – what can be protected, what to protect, and how – workshop in Polish (Elżbieta Dobosz, Polish Patent Office)
  • Project: Phantom – introduction and workshops for game designers – workshop in Polish (Łukasz Kozak and Krzysztof Siewicz)
  • Embedding Copyright literacy using games-based learning (Jane Secker i Chris Morrison – workshop in English)

13:00-13:30 registration for participants

13:30-15:00 opening of the conference – discussion panel

Robert Ashcroft (PRS for Music)
Marek Kościkiewicz (artist and producer)
Anders Lassen (GESAC)
Jarosław Lipszyc (Fundacja Nowoczesna Polska)
Rafał Masny (Abstra)
Marcin Olender (Google)
Jane Secker (City, University of London)

Moderator: Krzysztof Siewicz (Fundacja Nowoczesna Polska)

15:00-15:30 coffee break

15:30-17:15 1st session of presentations

Will Slauter
News and the Right to Copy: A Historian’s Take on Current Debates

Astor Nummelin Carlberg
An early post-mortem on the EU Copyright Directive: How did we get here?

Anna Desponds
#NewTools #OldRules – Artistic Work in Digital Spaces

Bernd Justin Jütte
Informing copyright reform through more than empirical evidence

Aleksandra Przegalińska
Transparency of human-chatbot interaction

Ula Furgał
Call for a new right for press publishers: reconstructing narratives

Joanna Radziszewska
Educational exception in light of copyright law reform in European Union – reality and expectations

17:15-17:45 coffee break

17:45-19:15 2nd session of presentations

Jane Secker, Chris Morrison
Embedding Copyright Literacy into institutional practices: theory, practice and fun

Zofia Dziurawiec
Design of a copyright coursebook for art college students

Jacek Staniszewski
To see more. Using an archival resources in education

Paulina Szczucińska
Free textbooks. No catch

Włodzimierz Gogołek
Refining Big Data. The new source of information

Plamena Popova
Sharing Metadata: licensing and policy issues

19:15 closing of Day 1

Day 2 (October 6th, 2018)

11:00-13:00 Parallel workshops (in Polish)

  • Laws on reuse of digitised materials – (Ksenia Kakareko, National Film Archive – Audiovisual Institute)
  • Author: designer / copyright law for designers (Krzysztof Siewicz)
  • Financial disputes in IP-driven industries (Agnieszka Sztoldman, Aleksandra Burda, SMM Legal)

13:00-13:30 registration for participants

13:30-15:00 1st session of presentations

Natalia Dulkowska
The fight against IP infringements – an increasing socio-legal awareness or economic effect?

Brigitte Vézina
Curbing Cultural Appropriation in the Fashion Industry. Is copyright the answer?

Viola Kuś, Monika Boruta-Żywiczyńska
The face of dependencies

Weronika Bednarska, Maryla Bywalec
Funarts – are they protected by copyrights on the Internet? And what is going on with their authors?

Kamil Bechta
The scent of the law. The limits of copyright protection in the context of European jurisprudence

Zuzanna Janin
The Folly of Majka Skowron vs Majka from the Movie – from TV to art gallery. TV series as a found-footage video-installation in a contemporary art gallery.

15:00-15:30 coffee break

15:30-17:15 2nd session of presentations

Eleonora Rosati
Intermediary IP injunctions in the EU: 5 key principles and some uncertainties

Zsófia Lehóczki
Fighting against value gap with national laws? Sometimes it works!

Stephen Wyber
Extended Collective Licensing: Why Libraries Care, and Others Should Too

Beata Sobkow
Regulation of online content: untangling the complex web of intermediary liability laws

Ewa Radomska
Polish discourses on copyright – “solidarity in the Internet” or “copyright populism”?

Natalia Mileszyk
Copyright reform – what is missing?

Burak Özgen
Transfer of Value: As a problem of fairness on the Internet and why we should fix it

17:15-17:45 coffee break

17:45-18:45 3rd session of presentations

Wojciech Hardy
“No evidence of relationship” does not equal “evidence of no relationship” – a few words on the media misinterpretation of the “buried” EU report.

Monika Osmańska
Use of orphan works in Polish law. Some reflections after implementation

Konrad Gliściński
Limitations and Exceptions – restrictions on copyrights or protection of users’ interests

Luca Guidobaldi
The implementation of the EU “Barnier” Directive in Italy: the end of the monopoly era, the dawn of a new market and the challenges of managing and controlling musical copyright in the digital age

Dorota Kutyła
Money and creator

18:45-19:00 coffee break

19:00-19:45 4th session of presentations

Aleksandra Drożdż
Managing expectations. Can blockchain disrupt creative industries?

Tomasz Palak
Chances and threats of using blockchain in copyright law

Sebastian Zdrojewski
Blockchain and Copyright: could the technology solve the problem?

Magdalena Krawczyk, Kuba Gąsiorowski
Protection of business methods – to exclude or allow at the centenary of Polish regulation?

19:45 closing of the conference

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