Program
🔸Nov 23th (Monday), 5 pm (CET)
Pandemic: Regulatory Framework and Practices
▪Lisa Macklem – Lessons From the Pandemic: Best Practices Travel Well
▪Teresa Nobre – Copyright and Remote Teaching during the Pandemic
▪Susan Isiko Štrba – Lessons from COVID-19 for Online Teaching in Africa with focus on Intellectual property
🔸Nov 24th (Tuesday), 5 pm (CET)
Lockdown: twórcy i użytkownicy w nowej rzeczywistości
(Session in Polish only)
â–ªMarek Hojda – Branża muzyczna w czasie pandemii
â–ªPaulina Richter – „JesteÅ› twórcÄ…-masz prawo” – kampania edukacyjna Polskiego Wydawnictwa Muzycznego
â–ªKamil Åšliwowski – Jak otwarte zasoby zarabiajÄ… na siebie?
🔸Nov 25th (Wednesday), 5 pm (CET)
Content Filtering and other Internet Disputes
▪Julia Reda – Article 17: What is it Really Good for?
â–ªBernd Justin Jütte & Giulia Priora – Teaching Exceptions for Exceptional Circumstances – Learning from the pandemic for a proper implementation of Article 5 DSM Directive
▪Edyta Bednarczyk – German Golden Mean
🔸Nov 26th (Thursday), 5 pm (CET)
Directive 2019/790 – Implementation and Interpretation
▪Julija Kalpokienė – Machine vs Author: TDM for Commercial Use
▪Alkistis Kympari – From Orphan to out-of-Commerce Works: Framing Digital Access in Pandemic terms
🔸Nov 27th (Friday), 5 pm (CET)
Game of Money: Copyright in the Gaming Industry
â–ªLuca Guidobaldi – Platform Wars: Who will win the „Battle Royale”?
▪Marta Musidłowska – The Witcher in Bronowice, or Copyright in the Face to Easter-Eggs in Computer Games