CopyCamp 2016: detailed programme
DAY 1
10:00 – 12:00 Workshops
12:00 – 14:00 Lunch break (free time)
13:00 – 14:00 Registration
ROOM A
14:00 – 14:45 Opening
Jarosław Lipszyc, Modern Poland Foundation
Arnd Haller, Google
Michał Kanownik, ZIPSEE Digital Poland
15:00 – 16:30 Session 1
Keynote:
Olga Goriunova: Data, profiles and digital subjects: ownership in the age of machine learning
Jody Wood: Identity as Privilege
Jacek Dehnel: Recycling culture
Tomasz Rychlicki and Grzegorz Pacek: The Two that would (NOT) monopolize the alphabet
Łukasz Kozak: Louis Wain, cats and Konopnicka. How Polish literature for children classics were written.
Anna Smolar: Producing the play Henrietta Lacks
16:30 -17:00 Coffee break
17:00 -18:30 Session 2
Keynote:
Mikołaj Iwański: Reflections on the future of private copying levies in the light of struggle for artists’ social rights
Damir Filipovic: Digital Europe Remuneration systems in Europe
Alicja Peszkowska: Are we framed? Creative Commons as an artistic framework.
Łukasz Czernicki: Taxmen talk IP and what we may learn from it
Kamil Jaczyński and Michał Kożuchowski: Facing reality, or ZAiKS (and other collecting societies) in musician’s eyes
Witold Chomiczewski: Screen scraping and data aggregation – a great idea for a legally risky business
18:30 – 19:00 Coffee break
19:00 – 20:00 Session 3
Krzysztof Izdebski: right to Peaceful Assembly
Katarzyna Lejman: May authors of Let’s plays and video games casts have a peaceful mind?
Aleksandra Maciejewicz: Illegal tweets, emoji, snapchat filters and hashtags
Magdalena Szecówka: Creative Commons marketing – free and open licenses in promotion of firms and individuals
20:00 – Closing
ROOM B
14:00 – 14:45 Opening and plenary (transmission from Room A)
15:00 – 16:30 Session 1
Keynote:
Rufus Pollock: „Why does making an open information age matter?”:
Dimitar Dimitrov: Public Policy Ping Pong:https://youtu.be/W0KotmoL3Hg
Teresa Nobre: Best Case Scenarios for Copyright: national exceptions to copyright
Diego Naranjo: Copyfails
Agata Janeczek: How to play with copyright law
Iga Bałos: Saved by the bell: how to teach about copyright?
16:30 -17:00 Coffee break
17:00 -18:30 Session 2
Keynote:
Jonas Holm: The case for new legislative approaches to copyright for libraries, education and big data
Stephen Wyber: Between Piracy and the Privatisation of Knowledge – Libraries in International Copyright Debates
Anikó Grad-Gyenge: Open Access and copyright in Hungary – an academic point of view
Petra Pejšová: Using CC licences in repositories in the Czech Republic
Nicolaie Constantinescu: Open Access is Open Science is Open Licensing
Ondřej Neumajer: Open education in the Digital Strategy for Education in The Czech Republic
18:30 – 19:00 Coffee break
19:00 – 20:00 Session 3
Anna Gruhn: Evidence-based innovation policy making?
Kamil Śliwowski: Open resources – what will grow on the ashes of textbooks?
Klaudia Grabowska: „Openness as a tactic supporting digital strategies for cultural institutions. Openess Framework.”:
Xawery Konarski: LAM re-use – old and new regulation in Poland
20:00 – Closing
DAY 2
10:00 – 14:00 Workshops
12:00 – 13:00 Book premiere „All rights reserved. History of copyright debates, 1469–1928” by Konrad Gliściński – author talks about the book with Iga Bałos, Anna Gruhn and Jarosław Lipszyc
13:30 – 14:30 Registration
14:00 – 14:30 Lunch break (free time)
ROOM A
14:30 -14:35 Opening
14:35 – 15:30 Session 1
Zbigniew Zbikowski: Joint authorship as a great unknown
Krystyna Antoszkiewicz: Copyright in anticommunist underground in the eyes of a guerilla publisher – where we were, where we should have been
Małgorzata Ciepłuch: Can computer program be an author? Some remarks about computer-generated music
Sonia Wronkowska: Remix in historical music and how to tackle it
Paweł Leszczyński: Is there a free beer recipe?
15:30 -16:00 Coffee break
16:00 – 17:30 Session 2
Keynote:
Therese Comodini Cachia: A European copyright fit for the digital age
Anton Skreko: Reforming Copyright for Digital Single Market
Stef van Gompel: „Being pragmatic: Copyright lawmaking in an evidence-based world”:
Matej Gera: Grey area” between exclusivity and exceptions: Scope of exclusive rights in the context of national and European Union lawmaking
Tito Rendas: „Copyright, Technology and the CJEU: An empirical study”:
Lisa Macklem: Does Culture Belong in a Trade Deal: Finding a Better Balance in the Regulation of Intellectual Property
17:30 – 18:00 Coffee break
18:00 – 19:30 Session 3
Keynote:
Agustin Reyna: How to tackle geo-blocking in the European Union from a Single Market perspective?
Mikhail Volchak: Let’s imagine that copyright is not harmonised
Ana Ramalho: A new neighboring right for publishers: is this EU’s bone to throw?
Justyna Nykiel: Copyright and sampling
Krzysztof Garstka: Pick ‘n’ Mix ‘n’ Filter – how should the EU law regulate content filtering systems aimed at copyright infringement in cyberspace?
Alexandros Nousias: Datafication, Copyright and Creative Commons: Towards platforms of digital dignity
19:30 Closing
ROOM B
14:30 -14:35 Opening
14:35 – 15:30 Session 1
Michał Przymusiński: New business models versus new technologies
David Felipe Alvarez-Amezquita: Protecting the author through fundamental rights, a comparative perspective from some Latin American scenarios
Michael Morris: Why Coffeehouses need to be concerned about liability for their patron’s WI-FI usage
Bernd Justin Jütte: A New Wave of Sampling Cases – Appropriation in the US and Europe
Joanna Potęga: Internet social campaigns for building awareness on the copyright law. Comparison of the Legal Culture and the Right to Culture actions
15:30 -16:00 Coffee break
16:00 – 17:30 Session 2
Keynote:
Konrad Gliściński: Copyright debates
Marek Rosiński: Appointment of specialised IP courts in Poland – necessary element of an ecosystem supporting innovation
Samuel Ugwumba: „Re-focusing Cultural Works As the Core Subject Matter of Copyright Law”:
Aleksandra Drożdż: Limits of copyright protection of conceptual art
István Harkai: Copyright Questions in Computer Games and the New Models of Distribution
Justyna Tokarzewska: Art about art. Copyright and art appropriation
17:30 – 18:00 Coffee break
18:00 – 19:30 Session 3
Keynote:
Michal Dubovan: Collective Management Directive – Czech implementation
Peter Csaba Lábody: Implemetation of the CRM directive into Hungarian law
Peter Munkacsi: Historical Developments of the Copyright Law in Hungary from the 1970’s
Dániel G. Szabó: Copyright as an Exemption in Freedom of Information Law – Hungary and Other Examples
Jan Vobořil: Creative Commons licenses in the Czech republic – 7 years in use
19:30 Closing